I dream about the sea cow or imagine what they would be like to see in the wild, but the case of the Pinta Island giant tortoise was a particularly strange feeling for me personally because I had spent many afternoons in the Galapagos Islands when I was a volunteer with the Sea Shepherd Conservation Society in Lonesome George’s den with him. If any of you visited the Galapagos, you know that you can even feed the giant tortoises that are in the Charles Darwin Research Station. This is Lonesome George here.
He lived to a ripe old age but failed, as they pointed out many times, to reproduce. Just recently, in 2012, he died, and with him the last of his species. He was couriered to the American Museum of Natural History and taxidermied there. A couple weeks ago his body was unveiled. This was the unveiling that I attended, and at this exact moment in time I can say that I was feeling a little like I am now: nervous and kind of nauseous, while everyone else seemed calm. I wasn’t prepared to see Lonesome George. Here he is taxidermied, looking out over Central Park, which was strange as well. At that moment realized that I knew the last individual of this species to go extinct. That presents this strange predicament for us to be in in the 21st century—this idea of conspicuous extinction.
... A strange thing happened on the way to a better world in pursuit of an admirable quest, that is, a world free of sex discrimination where you’re judged on your own qualities and not your sex. Truth and falsity went topsy-turvy. The truth—the silence of sex differences—became dangerous, unmentionable, and in its place the conventional wisdom, which is a ragbag of ideas that have long been extinct but are kept ghoulishly alive by popularity, became the entrenched orthodoxy influencing public thinking, agendas and policy-making, and completely crowding out science and sense.
My aim is to show you why the current orthodoxy should be abandoned and why, if you really care about a fairer world, the science does matter. It matters profoundly. I’m going to take two examples, both about the professions, because they very well epitomize the orthodox litany: how society systematically discriminates against women, and how at work they are victims of pervasive sexism.
Moderated by Molly Crockett. With Helena Cronin, Chiara Marletto, Jennifer Jacquet, Steve Jones, John Brockman, Hans Ulrich Obrist
"EDGIES ON EXTINCTION": 10 Minute talks by Helena Cronin, Jennifer Jacquet, Steve Jones, and Chiara Marletto, and an EDGE discussion joined by Molly Crockett, Hans Ulrich Obrist, and John Brockman.
HANS ULRICH OBRIST: When we spoke with John Brockman about the Extinction Marathon he suggested, as a second part—as I mentioned in previous marathons we got the Edge community to realize maps and different formulas, and John thought today it would be wonderful to do a panel with UK based scientists who are part of the Edge community. We are extremely delighted that we now will have four presentations by Helena Cronin, by Chiara Marletto, by Jennifer Jacquet, and by Steve Jones. We welcome Steve Jones back to the Serpentine because he was part of the 2007 Experiment Marathon with Olafur Eliasson. The entire panel will be introduced by Molly Crockett. Molly is an associate professor for experimental psychology and fellow of Jesus college at the University of Oxford. She holds a Ph.D. in experimental psychology from Cambridge and a B.S. in neuroscience from UCLA. Dr. Crockett studies the neuroscience and psychology of altruism, of morality, and self-control. Her work has been published in many top academic journals including Science, PNAS, and also Neuron. Molly Crockett will now introduce Helena, Chiara, Jennifer, and Steve. We then, together with Molly and all the speakers and John, give a panel after that.
STEWART BRAND is the Founder of the "The Whole Earth Catalog" and Co-founder of The Long Now Foundation and Revive and Restore; Author, Whole Earth Discipline. Stewart Brand's Edge Bio Page
RICHARD PRUM is an Evolutionary Ornithologist at Yale University, where he is the Curator of Ornithology and Head Curator of Vertebrate Zoology in the Yale Peabody Museum of Natural History. He is working on a book about duck sex, aesthetic evolution, and the origin of beauty. Richard Prum's Edge Bio Page
When I think of the work on social pain, and showing that some of the same neural regions that are involved in physical pain are involved in social pain, that can be very validating for people. For anyone who's felt the pain of losing somebody or who's felt the hurt feelings that come from being ostracized or bullied, there's something very validating in seeing this scientific work that shows it's not just in our head. It is in our head because it's in our brain. It's not just in our head, there is something biological going on that's interpreting the pain of social rejection as something that really is a painful experience.
NAOMI EISENBERGER is a professor in the Social Psychology program at the University of California, Los Angeles. She is director of the Social and Affective Neuroscience laboratory as well as co-director of the Social Cognitive Neuroscience Laboratory. Naomi Eisenberger's Edge Bio Page
The way nature is—the nature of flowers, the nature of birdsong and bird plumages—implies that subjective experiences are fundamentally important in biology. That the world looks the way it does and is the way it is because of their vital importance as sources of selection in organic diversity, and as a result we need to structure evolutionary biology to recognize the aesthetic, recognize the subjective experience.
RICHARD PRUM is an evolutionary ornithologist at Yale University, where he is the Curator of Ornithology and Head Curator of Vertebrate Zoology in the Yale Peabody Museum of Natural History. Richard Prum's Edge Bio Page
I'll tell you about my new favorite idea, which like all new favorite ideas, is really an old idea. This one, from the 1960s, was used only in a couple of studies. It's called "latitude of acceptance". If I want to persuade you, what I need to do is pitch my arguments so that they're in the range of a bubble around your current belief; it's not too far from your current belief, but it's within this bubble. If your belief is that you're really, really anti-guns, let's say, and I want to move you a bit, if I come along and say, "here's the pro-gun position," you're actually going to move further away. Okay? It's outside the bubble of things that I can consider as reasonable.
We all have these latitudes around our beliefs, our values, our attitudes, which teams are ok to root for, and so on, and these bubbles move. They flex. When you're drunk, or when you've had a good meal, or when you're with people you care about versus strangers, these bubbles flex and move in different ways. Getting two groups to work together is about trying to get them to a place where their bubbles overlap, not their ideas, not their beliefs, but the bubbles that surround their ideas. Once you do that, you don't try to get them to go to the other position, you try to get them to see there's some common ground that you don't share, but that you think would not be a crazy position to hold.
MATTHEW D. LIEBERMAN is a professor of psychology at UCLA. He is the author of Social: Why Our Brains Are Wired to Connect. Matthew D. Lieberman's Edge Bio Page
We think of stories as a wildly creative art form but within that creativity and that diversity there is a lot of conformity. Stories are very predictable. No matter where you go in the world, no matter how different people seem, no matter how hard their lives are, people tell stories, universally, and universally the stories are more or less like ours: the same basic human obsessions, and the same basic structure. The structure comes down to: stories have a character, the character has a predicament or a problem—they're always problem-focused—and the character tries to solve the problem. In its most basic terms, that's what a story is—a problem solution narrative.
JONATHAN GOTTSCHALL is a Distinguished Research Fellow in the English Department at Washington & Jefferson College. He is the author or editor of six books, including The Storytelling Animal: How Stories Make Us Human (a New York Times Editor’s Choice Selection and a finalist for the LA Times Book Prize). Jonathan Gottschall's Edge Bio Page
One of the things that Julia Peyton-Jones and I try to do with the Serpentine Gallery Marathons, on which we've collaborated with Edge many times, is to provide a format that isn't like a normal conference: it takes place over 24 or 48 hours. And it happens in the Serpentine Gallery Pavilion, so this creates a connection between art and architecture. And then one connects to all the other disciplines through the invited speakers. It's a kind of knowledge festival. The marathon is a hybrid. It's a group show, because artists are doing performances, but they're given time and not space. But it's also a conference because there are lectures and presentations. This year's Marathon, which takes place at The Serpentine Gallery the weekend of October 18-20, will be about "Extinction".
HANS ULRICH OBRIST is the co-director of the Serpentine Gallery in London. He is the editor of A Brief History of Curating, Formulas for Now and the author of several books including, Hans Ulrich Obrist: Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground, A Brief History of New Music, and Ways of Curating. Hans Ulrich Obrist's Edge Bio Page