"These are exhibitions which are not material, but which are more virtual, virtual in the sense of them always being able to be reactualized. They can be revisited and reactualized and updated, and they are also not related to a place. The exhibition can go to where the viewer is. Anybody in the world can download these formulas and pin them on the wall, or they can do their own and trigger their own formulas. We are in the very early days of understanding how the Internet can be used for exhibitions."
"Warming is unequivocal, that's true. But that's not a sophisticated question. A much more sophisticated question is how much of the climate Ma Earth, a perverse lady, gives us is from her, and how much is caused by us. That's a much more sophisticated, and much more difficult question."
"Another example that we've been investigating arehuge swarms of Mormon crickets. If you look at these swarms, all of the individuals are marching in the same direction, and it looks like cooperative behavior. Perhaps they have come to a collective decision to move from one place to another. We investigated this collective decision, and what really makes this system work in the case of the Mormon cricket is cannibalism."
"It is customary to think about fashions in things like clothes or music as spreading in a social network. But it turns out that all kinds of things, many of them quite unexpected, can flow through social networks, and this process obeys certain rules we are seeking to discover. We've been investigating the spread of obesity through a network, the spread of smoking cessation through a network, the spread of happiness through a network, the spread of loneliness through a network, the spread of altruism through a network. And we have been thinking about these kinds of things while also keeping an eye on the fact that networks do not just arise from nothing or for nothing. Very interesting rules determine their structure."
"The only thing that hasn't been engineered are the living things, ourselves. Again, what's the consequence of doing that at scale? Biotechnology is 30 years old; it's a young adult. Most of the work is still to come, but how do we actually do it? Let's not talk about it, let's actually go do it, and then let's deal with the consequences in terms of how this is going to change ourselves, how the biosecurity framework needs to recognize that it's not going to be nation-state driven work necessarily, how an ownership sharing and innovation framework needs to be developed that moves beyond patent-based intellectual property and recognizes that the information defining the genetic material's going to be more important than the stuff itself and so you might transition away from patents to copyright and so on and so forth.."
BANAJI: What is remarkable about this test, which is called the Implicit Association Test—the IAT—is that it allows you to be a subject in your own experiment. Most scientists do not have the remarkable experience of being the object of study in their own research.
GREENWALD: The IAT provides a useful window into some otherwise difficult-to-detect contents of our minds. In some cases, we find things we did not know were there. It may be "an inconvenient truth" that what's there is not what we thought was there or want to be there. But I think it is generally something we can come to grips with.
"It's not everyday you have Richard Dawkins and Craig Venter on a stage talking for an hour about "Life: A Gene-Centric View". That it occured in Germany, where the culture has been resistant to open discussion of genetics, and at DLD, the Digital, Life, Design conference organized by Hubert Burda Media in Munich, a high-level event for the digital elite — the movers and shakers of the Internet — was particularly interesting. This event was a continuation of the Edge "Life: What a Concept!" meeting in August, 2008."
"There are 43 stones passing amongst you. It’s called the Tradescant's Ark Experiment and I’ve named it in honor of John Tradescant and John Tradescant, Sr. and Jr., father and son, who were collectors of things in the 17th century. They were the exhibitors of the world's first pay-to-view museum and they had a cabinet of curiosities set up in Lambeth, on the Thames, which much later was sold to Elias Ashmole and became the germ of the Ashmolean Museum. Not much of it survives, there are little parts of it in the Ashmolen Museum. What is more important is the intellectual move they made in the catalog, which John Tradescant the younger created and in which he distinguished between 2 types of things, naturalls and artificialls. He divided all the things he collected into those he thought were natural and those that were modified by human hand—what archaelogists today call artifacts."
"Songs can survive hundreds of years of geographical and cultural separation."