Katinka Matson: White Flowers

 


     


 

  

[EDITOR'S NOTE: Each Saturday, Süddeutsche Zeitung, one of the largest newspapers in Germany, dedicates their last Feuilleton page to a work of art (unknown, unseen, long lost or specially made). The page, called “Grossformat” (large format), has included contributions from artists and estates ranging from Barbara Kruger to August Sander, Sun Ra, and Gerhard Richter. Peony 2016, by Edge co-founder and resident artist Katinka Matson, was the photograph selected to run over the Easter weekend, the edition with by far highest circulation of the year. The work is part of her current Los Angeles show, "White Flowers" at the Eric Buterbaugh Gallery. Her work Peony 2016 is in the "Featured Artists" section of artsy.net.]

True Stem and True Flowering
By Andrian Kreye March 31, 2018

Rarely do flowers shine so strongly as in the photography of the artist Katinka Matson who uses flatbed scanners, avoiding the fuzziness with which cameras map reality.

Coincidences are the key moments in the history of science (the discovery of gravity, penicillin, X-rays, Teflon pans). They are more deliberate in art (Jackson Pollock, Yayoi Kusama, John Cage). Because New Yorker Katinka Matson works on the border between art and science, it seems consistent that her work began with such a lucky mishap. That occurred some 15 years ago, when she put some flowers on a flatbed scanner in her office and pressed the start button. The flowers were crushed. The result was nevertheless startling. Because scanners do not capture points of light through a lens like cameras, but scan them pixel by pixel, the images had a sharpness and luminosity she'd never seen before. The extreme clarity of images was especially unique. Human's visual perception has incorporated the distortions and blurring of camera lenses when looking at printed or filmed reality. In Katinka Matson's work those distortions are mostly absent. The science historian George Dyson described the effect: "Vision evolved to attract insects, and by removing the lens Katinka has taken us back to this direct connection between the flower and the deepest layers of the visual brain. And that makes it so amazing."...




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The EDGE Question—2018

"One of the most exciting reading streams ever." — Sueddeutsche Zeitung

 

"Another devilishly clever question—the 'question' question." 
Stanislas Dehaene

"Fascinating...Each one a little cluster bomb of possibilities."
Annalena McAfee

"One of the most stimulating pieces of (collective) writing ever."
Andrian Kreye


"Chrysanthemum" [expandby Katinka Matson | katinkamatson.com

 "WHAT IS THE LAST QUESTION?"

After twenty years, I’ve run out of questions. So, for the finale to a noteworthy Edge project, can you ask "The Last Question"? 

Interrogate Reality

Did I say "twenty years"? My strange obsession with the idea of "Question" goes back to 1968 when I first wrote about the idea of interrogating reality 1

"The final elegance: assuming, asking the question. No answers. No explanations. Why do you demand explanations? If they are given, you will once more be facing a terminus. They cannot get you any further than you are at present. 2 The solution: not an explanation: a description and knowing how to consider it.

"Everything has been explained. There is nothing left to consider. The explanation can no longer be treated as a definition. The question: a description. The answer: not explanation, but a description and knowing how to consider it. Asking or telling: there isn’t any difference.

"No explanation, no solution, but consideration of the question. Every proposition proposing a fact must in its complete analysis propose the general character of the universe required for the fact. 3 

"Our kind of innovation consists not in the answers, but in the true novelty of the questions themselves; in the statement of problems, not in their solutions. 4 What is important is not to illustrate a truth—or even an interrogation—known in advance, but to bring to the world certain interrogations . . . not yet known as such to themselves. 5

"A total synthesis of all human knowledge will not result in huge libraries filled with books, in fantastic amounts of data stored on servers. There's no value any more in amount, in quantity, in explanation. For a total synthesis of human knowledge, use the interrogative." 

The conceptual artist/philosopher James Lee Byars contacted me and suggested a collaboration of sorts which resulted in our taking daily walks in Central Park as Byars and I walked and talked, conversing only in interrogative sentences. Does it sound like fun? Want to try it?

James Lee soon began to develop his ideas which led to "The World Question Center":

To arrive at an axiology of the world's knowledge, seek out the most complex and sophisticated minds, put them in a room together, and have them ask each other the questions they are asking themselves.”

On November 26, 1968, he launched "The World Question Center" in a one-hour television program produced in Brussels at the studios of the Belgian National Television Network and broadcast live to a national audience.


Click here to watch

During the hour, he called numerous celebrated intellectuals such as composer John Cage, science fiction writer Arthur C. Clarke, futurist Herman Kahn, artist Joseph Beuys, novelist Jerzy Kosinski, poet Michael McClure, and asked, in various ways, the following:

"I’m trying to find hypotheses that people are working with that are reduced into some type of very simple single question with no explanation, hopefully, that’s important to them in their own evolution of knowledge. Might you offer one that’s personal?"

For the 50th anniversary of "The World Question Center," and for the finale to the twenty years of Edge Questions, I turned it over to the Edgies:

"Ask 'The Last Question,' your last question, the question for which you will be remembered."

John Brockman
Editor, Edge

____

Notes
1 John Brockman, By The Late John Brockman (New York: Macmillan, 1969)
2 Ludwig Wittgenstein, Zettel, eds. G. E. M. Anscombe and G. H. von Wright, trans. G. E. M. Anscombe(Berkeley: University of California Press, 1967), p. 58e, para. 315.  

Alfred North Whitehead, Process And Reality (New York: Harper & Row, 1960), p.17.
4 Paul Valery, The Outlook For Intelligence (New York: Harper & Row, 1962).
5 Alain Robbe-Grillet, For a New Novel, trans. Richard Howard (New York: Grove Press, 1965).  


Russell Weinberger, Associate Publisher
Nina Stegeman, Associate Editor
Katinka Matson, Co-founder & Resident Artist

Thanks to Stewart Brand, Kevin Kelly, and George Dyson for 20 years of advice and support.


 

What Is The Last Question?

(start reading here)

Contributors: [PAGE 1Scott Aaronson, Anthony Aguirre, Dorsa Amir, Chris Anderson, Ross Anderson, Alun Anderson, Samuel Arbesman, Dan Ariely, Noga Arikha, W. Brian Arthur, Scott Atran, Joscha Bach, Mahzarin Banaji, Simon Baron-Cohen, Lisa Feldman Barrett, Andrew Barron, Thomas A. Bass, Mary Catherine Bateson, Gregory Benford, Laura Betzig, Susan Blackmore, Alan S. Blinder
[PAGE 2Paul Bloom, Giulio Boccaletti, Ian Bogost, Joshua Bongard, Nick Bostrom, Stewart Brand, Rodney A. Brooks, David M. Buss, Philip Campbell, Jimena Canales, Christopher Chabris, David Chalmers, Leo M. Chalupa, Ashvin Chhabra, Jaeweon Cho, Nicholas A. Christakis, David Christian, Brian Christian, George Church, Andy Clark
[PAGE 3] Julia Clarke, Tyler Cowen, Jerry A. Coyne, James Croak, Molly Crockett, Helena Cronin, Oliver Scott Curry, David Dalrymple, Kate Darling, Luca De Biase, Stanislas Dehaene, Daniel C. Dennett, Emanuel Derman, David Deutsch, Keith Devlin, Jared Diamond, Chris DiBona, Rolf Dobelli, P. Murali Doraiswamy, Freeman Dyson, George Dyson
[PAGE 4] David M. Eagleman, David Edelman, Nick Enfield, Brian Eno, Juan Enriquez, Dylan Evans, Daniel L. Everett, Christine Finn, Stuart Firestein, Helen Fisher, Steve Fuller, Howard Gardner, David C. Geary, James Geary, Amanda Gefter, Neil Gershenfeld, Asif A. Ghazanfar, Steve Giddings, Gerd Gigerenzer, Bruno Giussani
[PAGE 5Joel Gold, Nigel Goldenfeld, Rebecca Newberger Goldstein, Daniel Goleman, Alison Gopnik, John Gottman, Jonathan Gottschall, William Grassie, Kurt Gray, A. C. Grayling, Tom Griffiths, June Gruber, Jonathan Haidt, David Haig, Hans Halvorson, Timo Hannay, Judith Rich Harris, Sam Harris, Daniel Haun, Marti Hearst, Dirk Helbing
[PAGE 6] César Hidalgo, Roger Highfield, W. Daniel Hillis, Michael Hochberg, Donald D. Hoffman, Bruce Hood, Daniel Hook, John Horgan, Sabine Hossenfelder, Nicholas Humphrey, Marco Iacoboni, Isabel Behncke Izquierdo, Nina Jablonski, Matthew O. Jackson, Jennifer Jacquet, Dale W Jamieson, Koo Jeong-A, Lorraine Justice, Gordon Kane, Stuart A. Kauffman
[PAGE 7] Brian G. Keating, Paul Kedrosky, Kevin Kelly, Marcel Kinsbourne, Gary Klein, Jon Kleinberg, Brian Knutson, Bart Kosko, Stephen M. Kosslyn, John W. Krakauer, Kai Krause, Lawrence M. Krauss, Andrian Kreye, Coco Krumme, Robert Kurzban, Joseph LeDoux, Cristine H. Legare, Martin Lercher, Margaret Levi, Janna Levin
[PAGE 8Andrei Linde, Tania Lombrozo, Antony Garrett Lisi, Mario Livio, Seth Lloyd, Jonathan B. Losos, Greg Lynn, Ziyad Marar, Gary Marcus, John Markoff, Chiara Marletto, Abigail Marsh, Barnaby Marsh, John C. Mather, Tim Maudlin, Annalena McAfee, Michael McCullough, Ian McEwan, Ryan McKay, Hugo Mercier, Thomas Metzinger
[PAGE 9] Yuri Milner, Read Montague, Dave Morin, Lisa Mosconi, David G. Myers, Priyamvada Natarajan, John Naughton, Randolph Nesse, Richard Nisbett, Tor Nørretranders, Michael I. Norton, Martin Nowak, James J. O'Donnell, Tim O'Reilly, Hans Ulrich Obrist, Steve Omohundro, Toby Ord, Gloria Origgi, Mark Pagel, Elaine Pagels, Bruce Parker
[PAGE 10Josef Penninger, Irene Pepperberg, Clifford Pickover, Steven Pinker, David Pizarro, Robert Plomin, Jordan Pollack, Alex Poots, Carolyn Porco, William Poundstone, William H. Press, Robert Provine, Matthew Putman, David C. Queller, Sheizaf Rafaeli, Vilayanur Ramachandran, Lisa Randall, S. Abbas Raza, Syed Tasnim Raza, Martin Rees, Ed Regis, Diana Reiss
[PAGE 11] Gianluigi Ricuperati, Jennifer Richeson, Siobhan Roberts, Andrés Roemer, Phil Rosenzweig, Carlo Rovelli, Douglas Rushkoff, Karl Sabbagh, Todd C. Sacktor, Paul Saffo, Eduardo Salcedo-Albaran, Buddhini Samarasinghe, Scott Sampson, Laurie R. Santos, Robert Sapolsky, Dimitar D. Sasselov, Roger Schank, Rene Scheu, Maximilian Schich, Simone Schnall
[PAGE 12] Bruce Schneier, Peter Schwartz, Gino Segre, Charles Seife, Terrence J. Sejnowski, Michael Shermer, Olivier Sibony, Laurence C. Smith, Monica L. Smith, Lee Smolin, Dan Sperber, Maria Spiropulu, Nina Stegeman, Paul Steinhardt, Bruce Sterling, Stephen J. Stich, Victoria Stodden, Christopher Stringer, Seirian Sumner, Leonard Susskind, Jaan Tallinn,
[PAGE 13Timothy Taylor, Max Tegmark, Richard H. Thaler, Frank Tipler, Eric Topol, Sherry Turkle, Barbara Tversky, Michael Vassar, J. Craig Venter, Athena Vouloumanos, D.A. Wallach, Adam Waytz, Bret Weinstein, Eric R. Weinstein, Albert Wenger, Geoffrey West, Thalia Wheatley, Tim White, Linda Wilbrecht, Frank Wilczek
[PAGE 14] Jason Wilkes, Evan Williams, Alexander Wissner-Gross, Milford H. Wolpoff, Richard Wrangham, Elizabeth Wrigley-Field, Richard Saul Wurman, Victoria Wyatt, Itai Yanai, Dustin Yellin, Eliezer S. Yudkowsky, Dan Zahavi, Anton Zeilinger, Carl Zimmer

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