"My topic is the shift from 'architect' to 'gardener', where 'architect' stands for 'someone who carries a full picture of the work before it is made', to 'gardener' standing for 'someone who plants seeds and waits to see exactly what will come up'. I will argue that today's composer are more frequently 'gardeners' than 'architects' and, further, that the 'composer as architect' metaphor was a transitory historical blip."
"Cooking also obeys the laws of physics, in particular chemistry. Yet it is quite possible to cook without understanding it. You can cook better if you do understand what is going on, particularly if you want to deviate from the ways that people have cooked before. If you want to follow a recipe exactly, slavishly, what the hell, you can do it without understanding it. As a rote automaton, you can say, "yes, I mixed this, I cook at this temperature" and so forth. But if you want to do something really different, if you want to go color outside the lines, if you want to go outside of the recipe, it helps if you have some intuition as to how things work."
"I am going to speak about what may the most important thing that has ever happened in human history. Violence has declined by dramatic degrees all over the world in many spheres of behavior: genocide, war, human sacrifice, torture, slavery, and the treatment of racial minorities, women, children, and animals."
"Ask the question you are asking yourself. You have one minute."
"If you aspire to use computer network power to become a global force through shaping the world instead of acting as a local player in an unfathomably large environment, when you make that global flip, you can no longer play the game of advantaging the design of the world to yourself and expect it to be sustainable. The great difficulty of becoming powerful and getting close to a computer network is: Can people learn to forego the temptations, the heroin-like rewards of being able to reform the world to your own advantage in order to instead make something sustainable?"
"Why is religion still alive? Why are people still engaged in old folk takes and mythological stories — even those without rational and ethical foundations."
"The notion of robustness became my recent obsession. How to be a robust? It's not clear; it's the hard problem — and that's my problem."
"I was not writing for an audience. I was writing for myself. I was making something for myself. And then just hoping that maybe somebody else had similar interests. But of course, in the early days, 75 percent of my audience would walk out after 20 minutes. And being a young Turk, I thought that was great, because it proved I was making real stuff. But I still have a very ambivalent attitude towards the audience, which is one of the things I've always hated about the theatre, because I believe that people, en masse, always have a reaction that is lower and less interesting than any individual person that you can confront and have a relationship with."